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Before Raining

Concept

This work constructs a cyclical narrative that traces the transformation from a child’s innocence to violence, and from destruction to renewal. Beginning with children at play, a moment of conflict escalates into animalistic aggression, war, and eventual collapse, revealing violence not as an exception but as a recurring condition that operates across different scales.

The work also introduces the breakdown of value through money and survival. In a devastated landscape, economic systems collapse, and currency loses its meaning, exposing how human life becomes vulnerable within structures of power and exchange.

 

Rain functions as a central metaphor, symbolising both hardship and regeneration. While destruction reduces the world to emptiness, it also creates the conditions for new growth. Yet this renewal does not resolve conflict; instead, it returns to a continuous cycle of opposition and repetition.

Through this structure, the work questions whether civilisation can escape the persistence of violence, or whether destruction remains inseparable from its existence.

Research / Process

Character Design

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Created three different races and built a virtual world: pink humanoids with triangular eyes, green humanoids with square eyes, and gray humanoids with round eyes.

Storyboard

Storyboard

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Beginning with children at play, the narrative unfolds into conflict, war, and collapse, revealing violence not as an exception but as a recurring condition. In this sense, the work resonates with Heraclitus’ idea of interdependent opposites, Sigmund Freud’ understanding of inherent human aggression, and Walter Benjamin’ view of history as a cycle of catastrophe. Through the metaphor of rain, the work further questions whether renewal can ever escape the repetition of conflict.

References

1. Heraclitus (2001) Fragments. London: Penguin Classics.

2. Benjamin, W. (1968) Illuminations. New York: Schocken Books.

​3. Freud, S. (2001) Civilization and Its Discontents. London: Penguin Classics.

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